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Two Years to Democracy:...
Johnson, Gail L.: Two Years to Democracy: The 2Y2D...
mhatlie - 2012.04.24, 14:02
Eugene O'Neill performances...
I post here links to all the complete performances...
mhatlie - 2012.03.30, 23:54
more links
A Moon for the Misbegotten - Act One http://www.youtube.com /watch?v=K3V1TneJ4dQ&featu re=related A...
Meli (guest) - 2012.03.30, 23:34
A very touching story...
Just got this in my e-mail and wanted to share it: Subject:...
mhatlie - 2012.03.14, 11:14
Rezension: The Tempest...
Rezension bei amazon.de: SHAKESPEARE - No comment....
mhatlie - 2012.02.27, 13:20

Thursday, 29. March 2012

Eugene O'Neill performances online...

I post here links to all the complete performances of Eugene O'Neill plays I run across online:

The Emperor Jones:
http://www.youtube.com/watch?v=wSQ5q-vOS10

Desire Under the Elms:
http://www.youtube.com/watch?v=cgkYQGxS370

A Moon for the Misbegotten - Act One
http://www.youtube.com/watch?v=K3V1TneJ4dQ
A Moon for the Misbegotten - Act Two
http://www.youtube.com/watch?v=d9RFF790Y-8

The Hairy Ape - Act One
http://www.youtube.com/watch?v=uRVLrqorLz4
The Hairy Ape - Act Two
http://www.youtube.com/watch?v=NfQ-UnoKL7w

Mourning Becomes Electra - Part One
http://www.youtube.com/watch?v=0kYVtiQ_pu4
Mourning Becomes Electra - Part Two
http://www.youtube.com/watch?v=ogXS45wlchg
Mourning Becomes Electra - Part Three
http://www.youtube.com/watch?v=R9qKvpbmBKI

Long Day's Journey Into Night
http://www.youtube.com/watch?v=6jRYeW05rY4

Please post links to others you might find in the comments below or drop me an e-mail and I'll post them here in the main story. Thanks to Meli for many of these.

Monday, 19. March 2012

Two Years to Democracy: The 2Y2D...

Johnson, Gail L.: Two Years to Democracy: The 2Y2D Plan. Fastest, Easiest, Safest way to restore "government of the People, by the People, for the People." Libri Anatum Publishing, 2012. ISBN: 978-0-9852776-0-4

What do you think of having a House of Representatives with one representative for every 100,000 people instead of one for every 500,000 to 1,000,000? Instead of 435 members, the House would have almost 3,100.

Everyone from the far left to the far right agrees that the U.S. political system isn't really working the way it is supposed to. Whether you focus on the corruption of the system through money – both lobbying and the pernicious effect of money on the election process – or on the alienation of people from the political process, we can all see that something is amiss. The latest wave of grassroots agitation, including both the Tea Party and Occupy movements as well as a new wave of labor agitation, can be taken as evidence that there is a general feeling of dissatisfaction with politics. Those movements are also grounds for some optimism of course - people are not organizing massed armed resistance. There are no insurgencies. The system still works to some degree. But these movements show that recourse is now being saught at the edges of the system - in non-violent protest, not through the normal processes of elections and legislation, because the core of the system is broken.

In her book, Gail Johnson proposes that the easiest way to fix the problems we do have with the core of the system by increasing the size of the House of Representatives dramatically - to over 3,000 members. In terms of direct effects, this would ...
  • bring the size of congressional districts down to a size resembling those the founders intended (three times as large, but with today's communication technology similar in its effects) and make communication between elected officials and their constituencies possible,
  • virtually eliminate the disparities in representation which we currently have because state borders distort the sizes of congressional districts
  • and open up political office to a much larger subset of the population.
The book shows that these first-order effects, which are actually more descriptive than predictive, do indeed pertain. The indirect or second-order effects are what we are really after, however, the cleaning up and invigoration of the political system. I list them here in what I think is decreasing order of likelyhood:
  • The possibility of direct communication between voters and representatives would reduce alienation and invigorate political life. More people would see that their voice matters. More people would vote and more people would run for office. Johnson does not address this aspect of the reform in her book, but the proposed reform would be essentially "liberal" in its overall effect. Although it does not address legislative content, the 2Y2D plan would, if it did in fact mobilize more political activity, increase the franchise. As we see from historical cases where high voter turnout leads to a leftward shift, this would do the same. Efforts to limit the franchise are generally something you find on the right. So while this may find support among many who associate with conservative views (the Tea Party comes to mind, but they are not entirely right-wing) and in many districts the result would be the election of more conservative politicians, overall, the effect would, in my estimation, be a shift to the left.
  • The cost of government would actually go down. That is intitially counter-intuitive. More representatives must cost more, right? Johnson's book does not actually prove that costs would go down. Believe it or not, however, there is strong impirical evidence based on precedent and comparison as well as some logical extrapolation to show that this is indeed what would happen. Read the book to see it. Furthermore, Johnson points out that even if she's wrong and costs remained stable or went up, the cost of congress would remain a tiny portion of the overall budget and the positive effects would be worth the additional cost.
  • The cost of running a campaign would sink dramatically. Since congressional districts would be smaller, advertizing in them would cost less. The methods of advertizing would also be more direct, as television ads would become less efficient. I am not entirely sure, however, that the overall cost of electioneering would go down. Elections per district would certainly become cheaper, of course. So more people who are not filthy rich could indeed run for office and hope to win.
  • The costs of lobbying would become prohibitive. This last point is not very well demonstrated in the book. It is indeed likely that a six-fold increase in the number of congressmen would in fact make lobbying more difficult. Congressmen would approach parity with lobbyists instead of being strongly outnumbered by them. But if the stakes remain high (a lot of government largess to distribute), I see no obvious reason why lobbying might not simply increase to meet the new challenge.
  • New political parties might emerge. Johnson speculates briefly on this possibility. The idea merits consideration. Even now, an occasional independent gets into congress. With local elections less dependent on large sums of money or infrastructure, this is more likely to happen the larger congress gets. Not only might challengers arise on the "outside" - to the right of the Republican or to the left of the Democratic incumbant - but independence from the national party might prove advantageous to more moderate candidates. If there were more independents, they might coalesce into regional or national parties. Indeed, the small parties already established like the Libertarians or the Greens could start to win seats right off the bat if they have good people locally.
The strongest point to the whole idea is its pragmatism. This pragmatic voice is refreshing in an era when so much political discourse has become so ideological, coarse and vitriolic. The main center of its pragmatism is its moderation. It is easy to brainstorm marvellous and fantastic reforms for the government. My favorite would be introducing some form of proportional representation to open the door to third parties. There are obvious problems with that, which a glance at Europe will show, but that is not the issue here. The problem with that idea, and so many others, is that it requires a constitutional amendment to make happen, and the hurdle for amendments is very, very high. Johnson's 2y2d plan does not. It still requires a majority of sitting congressmen to vote themselves into an entirely different universe, of course, but it is not as unrealistic as a constitutional amendment.

Johnson's idea is also pragmatic because it focuses on the branch of government that is most accessable to change. While it remains difficult to get the House to vote itself into an entirely new situation, it is more likely to happen there than anywhere. The House is the federal branch most likely to listen and act in the interests of and on the initiative of a broad expression of political sentiment.

In addition to pragmatism, the book's strength is its impirical foundation. It shows clearly by looking at the words of the Founding Fathers as well as at the real numbers behind how our system works, that there is a problem and that this idea has a good shot at making significant progress toward a solution.

The weaknesses of the book are omissions, but the author no doubt wanted to keep the proposal short and sweet. At just over 100 pages, including charts, quote boxes and generous margins, whole book can be absorbed in one or two sittings. The stuff left out can emerge from the discussions that this important idea should generate. Everyone will have their own ideas about what needs to be talked about.

The main thing I noticed that the book only touched on, was how Congress actually works. The book contains very little thinking about how the increase in the size of the House would change the dynamic of how the House actually operates on a day-to-day basis. The speculation about the effects on lobbying are plausible. But what about committee work? How do 3000 people deliberate? Are there historical comparisons we could look at which might give us a clue? The reformed House would be larger than any other elected chamber in the world. (China's is currently the largest at 3000, but not being democratically elected, doesn't offer much of a comparison.) Johnson's remarks here are surprisingly brief.

Overall I give the project high marks. The idea doesn't have a webpage yet. Unfortunately, the URL 2Y2D.org is taken by another project which, at first blush, appears to be a somewhat "new age" kind of thing. So the only place to read about the idea right now is in the book. I encourage anyone interested in serious political reform to give it a hard look and to talk about it with friends, neighbors and colleagues, especially with people who are already active.

Wednesday, 14. March 2012

A very touching story...

Just got this in my e-mail and wanted to share it:

Subject: Do elephants remember?


In 1972, Joe Miller was on holiday in Kenya after graduating from
Tulsa Junior College.

On a hike through the bush, he came across a young bull elephant
standing with one leg raised in the air. The elephant seemed
distressed, so Joe approached it very carefully. He got down on one
knee, inspected the elephants foot, and found a large piece of wood
deeply embedded in it. As carefully and as gently as he could, Joe
worked the wood out with his knife, after which the elephant gingerly
put down its foot.

The elephant turned to Joe, and with a rather curious look on its
face, stared at him for several tense moments. Joe stood frozen,
thinking of nothing else but being trampled.

Eventually the elephant trumpeted loudly, turned, and walked away. Joe
never forgot that elephant or the events of that day.

Thirty years later, Joe was walking through the Tulsa Zoo with his
family. As they approached the elephant enclosure, one of the
creatures turned and walked over to near where Joe and his family were
standing. The large bull elephant stared at Joe, lifted its front
foot off the ground, then put it down. The elephant did that several
times, then trumpeted loudly, all the while staring at the man.

Remembering the encounter in 1972, Joe could not help wondering if
this was the same elephant... Joe summoned up his courage, climbed
over the railing, and made his way into the enclosure. He walked
right up to the elephant and stared back in wonder. The elephant
trumpeted again, wrapped its trunk around one of Joe's legs and
slammed him against the railing, killing him instantly.

Probably wasn't the same elephant.

This is for everyone who sends those heart-warming bullshit stories.

Monday, 27. February 2012

Rezension: The Tempest (Film/DVD, 2010) von Julie Taymor, deutsche Version

Rezension bei amazon.de:

SHAKESPEARE -
No comment. Klassiker bedürfen keinerlei Rezensionen inhaltlicher Art bei Amazon, die sich nicht auf die Besonderheiten der jeweiligen Ausgabe/Version beziehen. (Es ist vollkommen unerheblich, ob irgend welche anonyme Gelegenheitsschwätzer Shakespeare, Goethe oder Tolstoj "langweilig" oder "spannend" finden.)

DIESE VERFILMUNG -
Sehr gelungen. Ich kenne mehrere Verfilmungen von The Tempest und diese ist bisher die Beste, sofern man nicht auf eine ganz traditionelle Aufarbeitung pocht. Die blau-grauen, düsteren Farben mit einigen bunten Pinselstrichen sind beeindruckend und treffen die Stimmung genau. Die Schauspieler sind eine tolle Mischung und alle passen zu ihren Rollen. Mirren (Prospera) und Brand (Trinculo) sind besonders passend, aber alle bieten eine gelungene Leistung.

Ich war skeptisch, ob hier eine Frau die Hauptrolle spielen sollte, aber es ist überzeugend gemacht.

Die düstere Musik passt gut. Es ist an der einen oder anderen Stelle vielleicht zu viel des Guten. Aber insgesamt ist dies gelungen. The Tempest ist ja eins der wenigen Shakespeare-Stücke mit historisch überlieferten Liedern. Sie werden hier eingebaut und ergänzt.

Die Technik ist gelungen. Sie ist am überzeugendsten mit Ariel, dessen/deren (diese Figur ist weder männlich noch weiblich) Bewegungen und Kräfte echt einfallsreich dargestellt werden. Sie holpert etwas bei der Darstellung der Hunde, die Trinculo, Caliban und Stephano verfolgen. Die Szene, wo Ariel sich als Harpyie Antonio, Alonso und Sebastian zeigt, ist toll gemacht.

Von der Interpretation her habe ich wenig zu meckern.

Ich würde kritisieren, dass Caliban mit so viel Würde dargestellt wird. Das ist legitim, denn auch Shakespeare hat ihm sympatische Züge verliehen und man kann auch gerade dann Caliban mit Würde darstellen, wenn man durch die Verwendung eines schwarzen Schauspielers besonders die post-koloniale Lesart des Stückes unterstreicht. Aber ich finde, dass Calibans gnadenlose Unterwerfung einen dunklen Schatten über das Stück wirft, der zu den Grundelementen des Stückes gehört. Der Kontrast zwischen der Wiedergutmachung und der Hochzeit einerseits und der auch physisch schmerzhaften Läuterung der drei Untertanen andererseits trägt zur Wirkung des Stückes bei. Taymor ist offenbar anderer Meinung. Dies ist immer wieder bemerkbar, aber besonders in der Schlußszene, wo Calibans berühmtestes Zitat wegelassen wird und er aufrechten Gangs und ohne Worte und ohne zurück zu blicken davon geht. Ein Vergleich mit der BBC-Verfilmung von 1980 oder mit dem Originaltext lohnt sich.

Die "masque"-Szene (4. Aufzug, 1. Szene), die in der Fachliteratur zu diesem Stück für ziemlich viel Diskussionen sorgt, wird in dieser Verfilmung völlig ungewöhnlich dargestellt. Statt eine Performance durch grieschich-römische Göttinnen mit Gesang und Tanz aufzubieten, zeigt Prospera den Verlobten ein Himmelsschauspiel, das fast ausschließlich durch Komputergraphik zustande kommt - ohne Text. Die Szene ist auch in traditionelleren Versionen schwer zu verstehen und einzuordnen - sie wirkt befremdlich, wenn man das Stück nicht kennt - hat aber mit Fruchtbarkeit zu tun. Hier im Film geht es nur ganz kurz um kreisende Sternzeichen und Bilder aus der Astrologie, Astronomie und Botanik. Dies kommt unerwartet und ist schnell vorbei.

Kurz davor, während er mit Miranda liebkost, singt Ferdinand das Lied des Clowns aus dem 3. Aufzug, 3. Szene von "Twelfth Night" (Oh, mistress mine). Das ist, nach dem was ich bisher erkannt habe, der grösste "Eingriff" in den Stoff bei dieser Verfilmung, abgesehen davon, dass die Hauptrolle eben weiblich ist. Ich bin aber kein Shakespeare-Fachmann und habe evtl. etwas übersehen.

Der Text ist - wie bei fast allen Verfilmungen oder Bühnenversionen - hier und da gekürzt. Einige Szenen werden geteilt oder vertauscht. Dies bleibt aber im Rahmen. Man muss das Stück gut kennen, um dies zu merken. Es ist nicht wie "Propero's Books" (Peter Greenaway 1991) oder die 1979 Verfilmung von Derek Jarman, wo viel gravierendere Eingriffe vorgenommen werden und ein ganz anderes Stück entsteht.

DVD -
Mäßig. Shakespeare ohne englische Untertitel anzubieten, halte ich für sehr, sehr schade. Es geht bei Shakespeare zu einem erheblichen Teil eben um die Sprache - und nicht nur die vordergründige Bedeutung, die ja mit deutschen Synchronstimmen oder mit Untertiteln mehr oder weniger erfasst werden kann. Es geht um das spezifische Englische nach Shakespeare. Ich bin native speaker des Englischen mit Hochschulbildung und gucke trotzdem gerne mit englischen Untertiteln. Für den deutschen Markt ist es ja unerlässlich. Der ursprungliche Text liegt auch ohne urheberrechtliche Hurden vor. Wenn man sich schon die Mühe gemacht und die deutsche Version eingebaut hat - dann copy-paste, oder?

Die Extras sind okay, aber nicht berauschend. Das "making of" ist flach. Beteiligte erzählen die Geschichte nach, machen allgemeine Bemerkungen über das Stück an sich oder loben einander. Während dessen sieht man einige Szenen aus dem Film oder aus den Dreharbeiten. Man lernt dabei nicht viel darüber, wie der Film zustande kam. Die sog. "B-Roll" ist dabei deutlich besser. Die Interviews sind okay, aber auch da wird einiges einfach wieder nacherzählt oder der gewöhnlichen Selbstlob praktiziert. Der Schnitt der Interviews ist etwas unbeholfen.

Es hätte mich interessiert, welche Shakespeare-Übersetzung für die deutsche Synchronisation herangezogen würde, aber ich habe diese Information im DVD nicht gefunden. Ich bin ziemlich sicher, dass es sich nicht um Tieck oder Wieland handelt. Ich habe den Eindruck, es ist die Schlegel-Version aber mit einigen Veränderungen, etwa in der Reihenfolge der Wörter. Aber es könnte ja auch eine andere Fassung oder eine Mischung sein. Z.B. Miranda gleich nach der "Masque":

Schlegel (1798): "Nie bis diesen Tag sah ich ihn (sie) so von heft'gem Zorn bewegt"
Taymor: "Nie bis zu diesem Tag sah ich sie je bewegt von so heftigem Zorn."

GESAMT -
Insgesamt bin ich mit diesem Film sehr zufrieden und habe ihn schon mehrmals angeguckt. Ich werde ihn bestimmt auch in der Lehre verwenden, sollte ich mal an der Uni oder an der Schule dazu Gelegenheit finden. Ich empfehle den Film auch für Unterhaltung. Vier bis fünf Sterne für den Film, vier Sterne für das Produkt insgesamt.

- M. Hatlie

Friday, 29. July 2011

HAW project on "Empire" launches...

I am spearheading a project on understanding the U.S. in the historical context of world empires over at Historians Against the War. Friends and relatives who see this should not be shocked and conclude that I am an unpatriotic, self-loathing lefty. A closer look at the project will reveal that it is about bridging the gap between the "shock" of the lay public and the scholar's understanding of the term "empire." The implied criticism of U.S. foreign policy cannot be denied, but the core of the project is exploring the scholarship on the issue, not promoting a particular stance or smearing the United States with a particular label.

Non-members of HAW who are familiar with the scholarship on empire are also encouraged to contribute.

Wednesday, 27. July 2011

Thinking of everyone in Norway now...

Norwegian-Flag

Sunday, 10. July 2011

USA-Brazil

Abby is God.

Friday, 8. July 2011

I have finally launched UnFaculty...

Starting last spring - my oldest dated notes go back to April 2010 - I had the idea of trying to somehow systematize and formalize the notion of freelance, freemarket liberal arts education outside the institutional context. Could humanities and social science experts, I wondered, make money by simply selling their knowledge and teaching directly to an intellectually curious public? I made notes, drafted statements, started a file - but wanted it to ripen before I did anything. I realized the idea is rather nutty every time I even considered talking about it with anybody. The few people I dared bouncing the idea off of were skeptical. Last fall, I took the idea to a local internet support company to inquire about the costs of creating a webpage. It didn't seem prohibitive - a few thousand Euros.

But then I saw UnCollege and I met someone - an educator - who thought the idea had potential. Finally, last night, I decided to stop hesitating and just give it a go. So I re-wrote some drafts, copy-pasted some material, made some quick formatting decision, collected some links, and launched UnFaculty. By starting it on a low-cost hosting service, I get a low-threshhold start with a blog function and a limited page function. If it does take root, however, I'll need to get something a bit more sophisticated.

If anyone is willing to be an initial investor in a more flexible infrastructure, please contact me.

Friday, 1. July 2011

Mark spielt Bluegrass mit "Horse Mountain" in Tübingen!

Horse_Mountain_Poster_Juni_2011

Am Sonntag (03.07.2011) um 11:00 Uhr spielt im Vorstadttheater
(Tübingen Südstadt)

Horse Mountain
http://www.horsemountain.de/
http://vorstadttheater.de/einzeltexte/110703.htm

eine Bluegrass-Gruppe aus Kusterdingen. Ich werde ein "Set" mit Ihnen Banjo spielen und etwas singen.

Das dazugehörige "amerikanische Grillen" fällt leider wetterbedingt und wegen Personalmangels im Vorstadttheater aus.
Eintritt wird vermutlich 10 Euro (8 ermäßigt) sein. Ich würde mich freuen, den einen oder die Andere dort zu sehen.

Added later:
2011_07_03_Mark_with_Horse_Mountain_07
Zum Konzert kamen nur 15 Gäste, aber angesichts der Konkurenzveranstaltungen überall in Tübingen und besonders im nahe liegenden Derendingen ist das respektabel. Im Foto spielen wir gerade Wabash Cannonball. Ich freue mich schon auf das Lorettofest, wo wir wieder zusammen spielen werden. Das steigt am 10. September um 17:15 Uhr auf dem kleinen Lorettoplatz.

Sunday, 10. April 2011

Arabisch-amerikanischer Dialog - Third Culture Kids!

Freundinnen und Freunde des Dialogs!

Am Mittwoch werden wir einen Vortrag über "Third Culture Kids" bzw. "Cross Culture Kids" hören (ca. 30min). TCKs/CCKs sind Menschen, die in einer anderen Kultur aufwachsen, als ihre Eltern und somit gleichzeitig in mehreren Kulturen aufwachsen. Wir werden uns damit beschäftigen, welche Herausforderungen und Chancen ein solches Aufwachsen mit sich bringt und was "Heimat" und "Identität" für solche Menschen bedeuten kann. Einige Dialogteilnehmer haben natürlich als "TCKs" oder deren Eltern unmittelbare Erfahrungen. Die Referentin ist Kristina Köhler.

Wo?
Im großen Saal des d.a.i.
Karlsstr. 3

Wann?
am Mittwoch den 13. April
20:15 Uhr

Mohannad, Kristina und ich bitten alle, möglichst pünklich zu
erscheinen, damit wir für den Kurzvortrag und den Dialog genügend Zeit
haben.
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blog '66

by Mark R. Hatlie

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